Editorial guidelines

The standards every article on Websarb is held to, and what happens to your draft after you send it.

These are the standards every article on Websarb is held to, whether it was written by an outside contributor or by us. They exist so that writers know what is expected before they spend an afternoon on a draft, and so that readers know what they are getting.

Accuracy

Originality

What makes an article good enough to run

We ask one question above all others: does this say something the reader could not already get from the first page of results? Concretely, that usually means one of:

What is not enough: a list of tips assembled from other lists; a definition-then-benefits-then-conclusion piece; an article whose real purpose is the link in paragraph nine.

Writing

Links, promotion and disclosure

Tags and topics

Every article is filed under one topic and may carry up to ten tags of no more than thirty-five characters each. This is enforced automatically. Tags are for readers finding related work, not for stuffing keywords, and anything beyond the limit is removed on save.

Review, and what happens to your draft

Submissions are screened automatically, then read by an editor. The screen scores originality, depth, evidence of expertise, readability and promotional intent, and flags concerns for the editor. It advises; a person decides. It also cannot verify that work is your own, which is why originality is something we take on trust and stop working with people who abuse.

The first two articles from a new writer are always read by a person before publication.

We may edit for clarity, length, structure and house style. We will not change what you are arguing. If an edit would alter your meaning, we will ask you first.

Corrections

If a published article turns out to contain an error, tell us. We correct the text and add a dated note at the foot of the article saying what changed. Articles are not silently rewritten, and they are not deleted to make a mistake disappear.

Rejection

We publish a small share of what we receive. A rejection means the piece was not right for us on the day; it is not a judgement on you as a writer, and you are welcome to pitch again.